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Anna Zsuzsanna's Favorite Auteurs

Displaying auteurs 1 - 20 of 34 in total
W120

Azazel Jacobs

“I really valued what my father and mother were doing from as far back as I can remember.”

 
W120

Raoul Peck

“I am not interested in avant-gardist narrative form, but rather in ideological deconstruction. The idea is by multiplying angles and superposing layers of narrative, you can create a different perception, closer to reality. I advance step by step, trying all possible combinations.”

 
W120

Zach Braff

“The way I write is that I'll actually have a conversation out loud with myself. In a weird way, I just kind of get schizophrenic and play two characters.”

 
W120

Wes Anderson

“I know that feeling of looking back and thinking, that part I'd like to fix. So I obsessively try not to compromise.”

 
W120

Fatih Akin

“The funnier it is in the beginning of a story, the more dramatic it can become. Because when an audience is laughing, that's opening their souls somehow, and when you have an audience with an open soul, it's much better to hit them with a knife.”

 
W120

Ulrich Seidl

“If I manage to make people laugh with my films and their laughter gets stuck in their throat in the next moment, if I succeed in doing that, then that makes me happy.”

 
W120

Takashi Miike

“I don't think about the audience, I don't think about what makes them happy, because there's no way for me to know. They think of the audience as a mass, but in fact every person in the audience is different. So entertainment for everyone doesn't exist.”

 
W120

Danny Boyle

“There's a certain truth that you do end up making the same film again and again so if you vary the genre you have a chance of breaking that cycle.”

 
W120

Michael Haneke

“Every film is manipulative, raping the viewer. So the question is: Why do I rape the viewer?”

 
W120

Trinh T. Minh-ha

“Speaking, writing, and discoursing are not mere acts of communication; they are above all acts of compulsion. Please follow me. Trust me, for deep feeling and understanding require total committment.”

 
W120

Maya Deren

“The task of cinema or any other art form is not to translate hidden messages of the unconscious soul into art but to experiment with the effects contemporary technical devices have on nerves, minds, or souls.”

 
W120

Samira Makhmalbaf

“As best you can, love, hope and be patient. And maybe to suffer is not bad. We must have sadness and grief because we are alive. We must endure hardness. That is the best there is. To know you are very small and life is very difficult and it is all beautiful, beautiful, beautiful… because you are alive.”

 
W120

Edgar Wright

“Everything that I've done so far has had a bigger budget than the last, but I've never ever felt the benefit of the bigger budget because the ideas always exceed the budget. ”

 
W120

Kim Ki-duk

“I always ask myself one question: what is human? What does it mean to be human? Maybe people will consider my new films brutal again. But this violence is just a reflection of what they really are, of what is in each one of us to certain degree.”

 
W120

Wong Kar-wai

“Sometimes they think the way we work is very stylish and romantic, but actually it's the way we can survive and make the films. We can work with the things that we get, but not the things we wish we had.”