Ronni Tino's Favorite Auteurs
Displaying auteurs 1 - 20 of 21 in total
Carl Theodor Dreyer
“Nothing in the world can be compared to the human face. There is no greater experience in a studio than to witness the expression of a sensitive face under the mysterious power of inspiration. To see it animated from inside, and turning into poetry.”
Nuri Bilge Ceylan
“In my films the landscapes connect the characters to a sense of something cosmic. I try to recapture those moments in life where you suddenly feel that connection to a wider universe.”
Roy Andersson
“I felt that film-making generally didn't reach the level you could find in painting or literature or music. It was for one-time use only, and more and more, the movies were losing their visual power - they were concentrating on the plot only. That's why I started wanting to be a film director myself. It wasn't only the plot that was interesting; it was the touch, the feeling, something visually rich.”
Tomas Alfredson
“The soundscape is fifty percent of the experience. Any kid can nowadays easily point out where and how you’ve made certain visual effects, but very rarely what they’ve experienced with their ears. This is still an enormous orchestra to conduct, which is in the dark for the audience.”
Bruno Dumont
“I studied philosophy because it demands an intellectual outlook on the world [...] But I soon discovered that philosophy was too subjective: it lacks heart, it’s over-intellectual, and I found that it made me cut myself off from the everyday.”
Apichatpong Weerasethakul
“I, as a filmmaker, treat my works as I do my own sons or daughters. I don't care if people are fond of them or despise them, as long as I created them with my best intentions and efforts.”
Tsai Ming-liang
“The body always plays an important role in my films. You could say the body is the most beautiful thing we have or you could say it’s the ugliest thing we have. We can sell bodies, we can adore or worship bodies.”
Sergio Leone
“In my childhood, America was like a religion. Then, real-life Americans abruptly entered my life in jeeps and upset all my dreams.”
Spike Lee
“I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.”
Atom Egoyan
“I think with all directors there are ideas that recur, at least for the ones that have creative control of their films.”
Fatih Akin
“The funnier it is in the beginning of a story, the more dramatic it can become. Because when an audience is laughing, that's opening their souls somehow, and when you have an audience with an open soul, it's much better to hit them with a knife.”
Satoshi Kon
“It's true that the attitude of directors towards how to employ CG differs from person to person. In fact I don't think that type of blending has become a natural part of our everyday lives. Our wish is for analog animation to swallow digital animation.”
David Lynch
“I don't think about technique. The ideas dictate everything. You have to be true to that or you're dead.”
Wong Kar-wai
“Sometimes they think the way we work is very stylish and romantic, but actually it's the way we can survive and make the films. We can work with the things that we get, but not the things we wish we had.”
Lars von Trier
“I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.”
Peter Greenaway
“I want to regard my public as infinitely intelligent, as understanding notions of the suspension of disbelief and as realizing all the time that this is not a slice of life, this is openly a film.”
Gaspar Noé
“A lot of people cry at the end of the movie. Some people come out and smoke a cigarette. Some people go for a walk or a cigarette in the middle of the movie. Each person handles the movie as he wants...”
