“It actually kind of sucks having to be a director. Once you do it, you discover how hard it really is. This is no kind of a job for a human being, let me tell you. I think I ought to quit, but I can't really do anything else!”
“I like working in a really private way. I mean, we got as far as a cut of [Old Joy] without speaking to any kind of lawyer or anything. We got into Sundance before we thought we should form a company. Aside from a lot of sound work and stuff still to go, it was all very private, and that’s a dream for me.”
“The sound and visuals in Japanese animation are beautiful. How intriguing the story is… Things like that, I feel, are being accepted all over the world.”
“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”
“[about FILM IST.] I’m not interested in the content of these scientific films. I am interested in the meaning that is given by the image. I wanted to detect the poetry and the power of the images of very straight-forward, rational, scientific movies.”
“I am really unable to talk about my life – I don’t know my life. I’ve travelled a lot and this is the life that I have lived, but that doesn’t mean that I know myself.”
“I think that the main impact on my work, on the making of this film, came from the intensity of the similarity I felt to Edvard Munch as a man, as an artist, as someone who struggled throughout his life.”
“I've lost all my money on these films. They are not commercial. But I'm glad to lose it this way. To have for a souvenir of my life pictures like Umberto D. and The Bicycle Thief.”
“For me, the present is a golden era that’s ending too. That’s the greatest golden era. Right now. [Laughs.] I just like pining for lost times. I can pine for this morning.”
“Juxtaposing a person with an environment that is boundless, collating him with a countless number of people passing by close to him and far away, relating a person to the whole world, that is the meaning of cinema.”
“Movie directors, or should I say people who create things, are very greedy and they can never be satisfied...that's why they can keep on working. I've been able to work for so long because I think next time, I'll make something good.”