“I've spent a fair amount of time thinking about what my aptitude is, and I really think it's to explore and push the medium. It's not about breaking gender roles or genre traditions.”
“I keep going back to the Forties and Fifties for films, I go back to the Twenties and Thirties for music. For some reason I really like these films from the Forties and Fifties, whether they’re American, French, whatever… I can’t quite put my finger on it, “dark” is the best way I know to describe the quality that I like in them.”
“It is my duty to direct because the films might be the inner chronicle of what we are, and we have to articulate ourselves. Otherwise we would be cows in the field.”
“I thank you for this award, though I think there may be a problem with a world in which making small, human and humorous films is ‘an achievement.’ It should be the norm.”
“I like working in a really private way. I mean, we got as far as a cut of [Old Joy] without speaking to any kind of lawyer or anything. We got into Sundance before we thought we should form a company. Aside from a lot of sound work and stuff still to go, it was all very private, and that’s a dream for me.”
“I don't know how much movies should entertain. To me I'm always interested in movies that scar. The thing I love about JAWS is that I've never gone swimming in the ocean again.”
“I was a kid looking for something but I didn’t know what. The movie business seemed like a terrific thing to get into, because that’s where the money and the fun was at.”