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Carl's Favorite Auteurs

Displaying auteurs 1 - 20 of 33 in total
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Lynne Ramsay

“I've found that film-making's not just a job, it becomes part of your whole life.”

 
W120

Andrea Arnold

“Dramatically, I like darkness, I like conflict - but I don't see the world as defined by them. And why would I pretend to? That's not who I am.”

 
W120

Luc Dardenne

“Of course, we always hope our films will speak to people, disturb them, but we never hoped to change the world”

 
W120

Jean-Pierre Dardenne

“The truth is always less interesting than the fiction.”

 
W120

Olivier Assayas

“With Irma Vep, all of a sudden I decided that it was okay to mix genre, to mix cultures, and that movies sometimes could be experiments, that within the format of modern cinema, within the format of narrative, you could experiment by mixing elements.”

 
W120

Jafar Panahi

“In a world where films are made with millions of dollars, we made a film about a little girl who wants to buy a fish for less than a dollar.”

 
W120

François Ozon

“I think cinema has to deal with desire. In the cinema, you are with a big screen, it is dark, and you watch some images, like a fantasy, so I think it is important for you to feel desire for what you see.”

 
W120

Béla Tarr

“I think censorship is always there. Then it was the censorship of the state and now it's the censorship of the market.”

 
W120

Terrence Malick

“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”

 
W120

Fatih Akin

“The funnier it is in the beginning of a story, the more dramatic it can become. Because when an audience is laughing, that's opening their souls somehow, and when you have an audience with an open soul, it's much better to hit them with a knife.”

 
W120

Robert Bresson

“Make visible what, without you, might perhaps never have been seen.”

 
W120

Abbas Kiarostami

“But in all, I don't like to engage in telling stories. I don't like to arouse the viewer emotionally or give him advice. I don't like to belittle him or burden him with a sense of guilt. These are the things I don't like in the movies.”

 
W120

Ousmane Sembène

“I am really unable to talk about my life – I don’t know my life. I’ve travelled a lot and this is the life that I have lived, but that doesn’t mean that I know myself.”

 
W120

Claire Denis

“Even if it's the dream of a voyage, I think it was very important for me that the film offer the two sides of the globe.”

 
W120

Susanne Bier

“I use it [hand-held-camera] in order to enable actors to move around freely because I want them to be truthful at all times and that means they should be able to move and not be bound by a fixed camera position. I think if it's used for style it's a mistake. It's there to do something very specific.”

 
W120

Bruno Dumont

“I studied philosophy because it demands an intellectual outlook on the world [...] But I soon discovered that philosophy was too subjective: it lacks heart, it’s over-intellectual, and I found that it made me cut myself off from the everyday.”

 
W120

Steven Soderbergh

“To me the director's job is to leave it in better shape than you found it, literally.”

 
W120

Werner Herzog

“It is my duty to direct because the films might be the inner chronicle of what we are, and we have to articulate ourselves. Otherwise we would be cows in the field.”

 
W120

Nicolas Roeg

“You make the movie through the cinematography - it sounds quite a simple idea, but it was like a huge revelation to me.”

 
W120

Aleksandr Sokurov

“The surface of the screen and that of the canvas are one and the same.”