[on the making of Summer Wars] “I didn’t just want there to be a bad guy who was outside the family. Some family members cause enough trouble on their own. I wasn’t being political, just contrasting domestic and global issues, and the convergence of problems within the family. I mean, if our ‘family’ can’t deal with the problems it already has, how can it deal with the problems of the world around it?”
“Standing still is to die; that is the point. The worst thing would be to do nothing, to be scared of acting. It would be a mistake to stand still, to not try something.”
“It's true that the attitude of directors towards how to employ CG differs from person to person. In fact I don't think that type of blending has become a natural part of our everyday lives. Our wish is for analog animation to swallow digital animation.”
“People say I pay too much attention to the look of a movie but for God's sake, I'm not producing a Radio 4 Play for Today, I'm making a movie that people are going to look at. ”
“We make films that we ourselves would want to see and then hope that other people would want to see it. If you try to analyze audiences or think there's some sophisticated recipe for success, then I think you are doomed. You're making it too complicated.”
“I've always loved the idea of fairy tales, but somehow I never managed to completely connect with them. What interests me is taking those classic images and themes and trying to contemporize them a bit. I believe folk tales and fairy tales have some sort of psychological foundation that makes that possible.”
“Try to remember one thing, which counts the most: it is not the real, nor even the relationship with the real; it is only the line and the way of drawing.”
“So I like to try to go back and develop pure visual storytelling. Because to me, it's one of the most exciting aspects of making movies and almost a lost art at this point. ”
“I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.”
“By the time a film of mine makes it into the theaters, I have a love-hate relationship with it. There is always something I could have done to make it better.”