“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”
“I've spent a fair amount of time thinking about what my aptitude is, and I really think it's to explore and push the medium. It's not about breaking gender roles or genre traditions.”
“I think that the Internet is going to effect the most profound change on the entertainment industries combined. And we're all gonna be tuning into the most popular Internet show in the world, which will be coming from some place in Des Moines. We're all gonna lose our jobs. We're all gonna be on the Internet trying to find an audience.”
“I cannot just make a film and walk away from it. I need that creative intimacy, and quite frankly, the control to execute my visions, on all my projects.”
“I don't know how much movies should entertain. To me I'm always interested in movies that scar. The thing I love about JAWS is that I've never gone swimming in the ocean again.”
“There’s almost a fear that if you understood too deeply the way you arrived at choices, you could become self-conscious. In any case, many ideas which are full of personal meaning seem rather banal when you put words to them.”
“Things are being simplified a lot for us lately. I think people are hungry for something that shows more respect for the complexity of life, the depth, the grey areas.”
“There's something to be said for failing. It's not the failure you feel, it's the failure that people project when something disappoints. You're back to ground zero, where there's no expectations, and that's where I like to be.”
“I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.”
“The whole thing about making films in an organic film location is that it's not all about characters, relationships and themes, it's also about place and the poetry of place. It's about the spirit of what you find, the accidents of what you stumble across”
“I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.”
“Being able to shoot on videos and commercials — just being on the set, with only a certain amount of time and shots and sequences to do in that amount of time, learning how to work with the crew the physical production and the limitations — is all good training.”
“I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.”