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Musycks's Favorite Auteurs

Displaying auteurs 1 - 20 of 46 in total
W120

Budd Boetticher

“The Western formula: A man has a job to do, or a couple of men. They try to do it against tremendous odds. They do it.”

 
W120

Fritz Lang

“I should say that I was a visual person. I experience with my eyes and never, or rarely, with my ears...to my constant regret.”

 
W120

Bertrand Tavernier

“I rarely produce movies that go from shot, to reverse shot, etc. I always try to avoid that. Either I do a long take, a complex camera movement, or I will break the scene with an unexpected closeup. I try to work that way, to get away from the rules and be free from formal conventions.”

 
W120

François Ozon

“I think cinema has to deal with desire. In the cinema, you are with a big screen, it is dark, and you watch some images, like a fantasy, so I think it is important for you to feel desire for what you see.”

 
W120

Catherine Breillat

“When I shoot a film, I always project myself into one of the characters, at once into either a man or a woman...”

 
W120

William A. Wellman

“People have asked me a million times, "Why don't you like your own pictures?" I don't know why. I do know that every time I look at one of them, I realize I could have done it better.”

 
W120

Max Ophüls

“Paris, which had always amused me on holiday, was too lovely… Emigration was no hardship, it was an outing. It offered the shining wet boulevards under the street lights, breakfast in Monmartre with cognac in your glass, coffee and lukewarm brioche, gigolos and prostitutes at night… Everyone in the world has two fatherlands: his own and Paris.”

 
W120

Josef von Sternberg

“I care nothing about the story, only how it is photographed and presented.”

 
W120

Elia Kazan

“I like directors who come on the set and create something that’s a little dangerous, difficult or unusual.”

 
W120

Martin Ritt

“I don’t have a lot of respect for talent. Talent is genetic. It’s what you do with it that counts.”

 
W120

Jean-Pierre Melville

“I believe that you must be madly in love with cinema to create films. You also need a huge cinematic baggage.”

 
W120

Joseph Losey

“Films can illustrate our existence…they can distress, disturb and provoke people into thinking about themselves and certain problems. But NOT give the answers.”

 
W120

Sydney Pollack

“I don't value a film I've enjoyed making. If it's good, it's damned hard work.”

 
W120

Sidney Lumet

“All great work is preparing yourself for the accident to happen.”

 
W120

Miloš Forman

“The worst evil is - and that's the product of censorship - is the self-censorship, because that twists spines, that destroys my character because I have to think something else and say something else, I have to always control myself.”

 
W120

Patrice Leconte

“You may think it’s very presumptuous, but I really hope that my movies are going to turn people into better people.”

 
W120

René Clément

“In a film-making career spanning forty years, René Clément was one of the most acclaimed film directors of his generation, whose masterpiece was 'Forbidden Games', a haunting tale of war's carnage told from a child's point of view. ”

 
W120

René Clair

“With very few exceptions, the best original scenarios have been written either by writers who knew the cinema particularly well, or by professional film workers. Although it may seem at first sight that anybody should be able to write a film scenario, experience shows that good scenarios are very rare.”

 
W120

Henri-Georges Clouzot

“I want only to tell a story. I think movies are entertainment. If at the same time you can get across something you feel, that is perfect.”