“I rarely produce movies that go from shot, to reverse shot, etc. I always try to avoid that. Either I do a long take, a complex camera movement, or I will break the scene with an unexpected closeup. I try to work that way, to get away from the rules and be free from formal conventions.”
“I think cinema has to deal with desire. In the cinema, you are with a big screen, it is dark, and you watch some images, like a fantasy, so I think it is important for you to feel desire for what you see.”
“People have asked me a million times, "Why don't you like your own pictures?" I don't know why. I do know that every time I look at one of them, I realize I could have done it better.”
“Paris, which had always amused me on holiday, was too lovely… Emigration was no hardship, it was an outing. It offered the shining wet boulevards under the street lights, breakfast in Monmartre with cognac in your glass, coffee and lukewarm brioche, gigolos and prostitutes at night… Everyone in the world has two fatherlands: his own and Paris.”
“Films can illustrate our existence…they can distress, disturb and provoke people into thinking about themselves and certain problems. But NOT give the answers.”
“The worst evil is - and that's the product of censorship - is the self-censorship, because that twists spines, that destroys my character because I have to think something else and say something else, I have to always control myself.”
“In a film-making career spanning forty years, René Clément was one of the most acclaimed film directors of his generation, whose masterpiece was 'Forbidden Games', a haunting tale of war's carnage told from a child's point of view. ”
“With very few exceptions, the best original scenarios have been written either by writers who knew the cinema particularly well, or by professional film workers. Although it may seem at first sight that anybody should be able to write a film scenario, experience shows that good scenarios are very rare.”