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Walberto's Favorite Auteurs

Displaying auteurs 1 - 20 of 89 in total
W120

Peter Watkins

“I think that the main impact on my work, on the making of this film, came from the intensity of the similarity I felt to Edvard Munch as a man, as an artist, as someone who struggled throughout his life.”

 
W120

Hiroshi Shimizu

People like me and Ozu get films made by hard work, but Shimizu is a genius… —Kenji Mizoguchi

 
W120

Glauber Rocha

“Cinema Novo stood with the Brazilian utopia. If it is ugly, irregular, dirty, confusing and chaotic, it is also beautiful, disharmonic, luminous and revolutionary.”

 
W120

Robert Kramer

“Walk the Walk is built on the idea that the objects are much more imposing and permanent than our bodies; that our bodies are extremely fragile and transient against this monstrous cage that we’ve constructed for ourselves, made of all the machines and technology and objects that clutter the planet.”

 
W120

Ruy Guerra

“I have a political vision of reality, from a cultural point of view.”

 
W120

Kazuo Hara

“I make bitter films. I hate mainstream society.”

 
W120

Jafar Panahi

“In a world where films are made with millions of dollars, we made a film about a little girl who wants to buy a fish for less than a dollar.”

 
W120

Souleymane Cissé

“Every nation has the right to be represented by the cinema.”

 
W120

Đặng Nhật Minh

“I have no regrets at all about being a film director as it is destiny. But if I could choose again, I would rather be a doctor and follow in my father’s footsteps.”

 
W120

Hou Hsiao-hsien

“The main thing is for the actors to forget the camera. They have to act as if they are working in a documentary.”

 
W120

Mrinal Sen

“Not many, but happily quite a few of my films have satirical kicks, because it is a tremendous force…not just in literature and drama, but indeed in cinema as well. Think of Chaplin, he’s a master.”

 
W120

Dariush Mehrjui

“The greatest privilege we have as human beings is the ability to say no.”

 
W120

Carlos Saura

“...my work has a coherence within its incoherence because I've decided to work with elements that I know to the core, to work with characters and settings I've lived with.”

 
W120

Danièle Huillet

“It is the dividing lines that make one’s public. And the dividing lines end up in one way or another being lines which correspond to the lines of class, and class struggle.”

 
W120

Jean-Marie Straub

“It is the dividing lines that make one’s public. And the dividing lines end up in one way or another being lines which correspond to the lines of class, and class struggle.”