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Paulo's Favorite Auteurs

Displaying auteurs 1 - 20 of 32 in total
W120

Park Chan-wook

“The audience seems hazy to me, shrouded in a veil through which I can't see.”

 
W120

George A. Romero

“If I fail, the film industry writes me off as another statistic. If I succeed, they pay me a million bucks to fly out to Hollywood and fart.”

 
W120

John Carpenter

“In France, I'm an auteur; in Germany, a filmmaker; in Britain, a genre film director; and, in the USA, a bum.”

 
W120

Terrence Malick

“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”

 
W120

Hayao Miyazaki

“Modern life is so thin and shallow and fake. I look forward to when developers go bankrupt, Japan gets poorer and wild grasses take over.”

 
W120

Darren Aronofsky

“To me, watching a movie is like going to an amusement park. My worst fear is making a film that people don't think is a good ride.”

 
W120

Roman Polanski

“You have to show violence the way it is. If you don't show it realistically, then that's immoral and harmful. If you don't upset people, then that's obscenity.”

 
W120

Tim Burton

“I've always loved the idea of fairy tales, but somehow I never managed to completely connect with them. What interests me is taking those classic images and themes and trying to contemporize them a bit. I believe folk tales and fairy tales have some sort of psychological foundation that makes that possible.”

 
W120

Fritz Lang

“I should say that I was a visual person. I experience with my eyes and never, or rarely, with my ears...to my constant regret.”

 
W120

Wes Anderson

“I know that feeling of looking back and thinking, that part I'd like to fix. So I obsessively try not to compromise.”

 
W120

M. Night Shyamalan

“I feel most akin as an artist, in my life and my career, to Agatha Christie. I get where she was coming from, making 80 stories about a point of view. I want at the end of the day to have 50 or 60 stories that came out of my head. Some will hit the mainstream and some won’t, but they’ll all be about human beings, and the analysis of human beings. So she’s my hero.”

 
W120

Akira Kurosawa

“Movie directors, or should I say people who create things, are very greedy and they can never be satisfied...that's why they can keep on working. I've been able to work for so long because I think next time, I'll make something good.”

 
W120

Quentin Tarantino

“I don't believe in elitism. I don't think the audience is this dumb person lower than me. I am the audience.”

 
W120

David Cronenberg

“Anybody who comes to the cinema is bringing their whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.”

 
W120

Werner Herzog

“It is my duty to direct because the films might be the inner chronicle of what we are, and we have to articulate ourselves. Otherwise we would be cows in the field.”

 
W120

Terry Jones

“Comedy is a dangerous business. If people find something funny you’re okay. But the moment you do something that’s meant to be funny and someone doesn’t find it funny, they become angry. It’s almost as if they resent the fact that you tried to make them laugh and failed.”

 
W120

Terry Gilliam

“You get trapped by stories. Though I've got this reputation for being out of control, it's not true, it just happens to be a more interesting story than the truth.”

 
W120

François Truffaut

“I have always preferred the reflection of the life to life itself.”

 
W120

Emir Kusturica

“What you have now is a Hollywood that is pure poison. Hollywood was a central place in the history of art in the 20th century: it was human idealism preserved. And then, like any great place, it collapsed, and it collapsed into the most awful machinery in…”

 
W120

Jim Jarmusch

“I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are. ”