“As a filmmaker, the last thing you want to do is place kids in emotional or physical jeopardy. Especially for me, coming from a place of really loving those kids.”
“The soundscape is fifty percent of the experience. Any kid can nowadays easily point out where and how you’ve made certain visual effects, but very rarely what they’ve experienced with their ears. This is still an enormous orchestra to conduct, which is in the dark for the audience.”
“I use it [hand-held-camera] in order to enable actors to move around freely because I want them to be truthful at all times and that means they should be able to move and not be bound by a fixed camera position. I think if it's used for style it's a mistake. It's there to do something very specific.”
“Everything that I've done so far has had a bigger budget than the last, but I've never ever felt the benefit of the bigger budget because the ideas always exceed the budget. ”
“The most difficult thing in the world is to reveal yourself, to express what you have to. As an artist, I feel that we must try many things - but above all we must dare to fail. You must be willing to risk everything to really express it all.”
“All I ever do is talk about films and then not make them. As a result I thought: just shut up about it—make a film then talk about it when it's done.”
“I was raised a Catholic and when you're raised a Catholic they don't teach you to think for yourself...you're taught not to think too deeply about things.”
“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”
“The funnier it is in the beginning of a story, the more dramatic it can become. Because when an audience is laughing, that's opening their souls somehow, and when you have an audience with an open soul, it's much better to hit them with a knife.”
“Being able to shoot on videos and commercials — just being on the set, with only a certain amount of time and shots and sequences to do in that amount of time, learning how to work with the crew the physical production and the limitations — is all good training.”
“Each scene should feel right, should be true at that moment, and gradually you accumulate these moments of truth until you get enough of them together that it becomes a story that’s interesting.”