“The films became so much more exciting that my little experiments were pitiful compared to the films of now, it’s all out. It isn’t that they do poems yet, but they do the experimentation that has brought the most fantastic results. I go to the movies now and am absolutely bowled [over] with amazement with the marvels that they do in films. I think it is the great art of today.”
“The camera never moves arbitrarily in any of my films. It follows somebody across the room or some kind of action; therefore you are not particularly conscious of the camera moving. Unnecessary camera movement destroys the concentration of the audience.”
“I love silence. Silence is a powerful tool in cinema language. It gives space for the imagination and contemplation. Silence is not a hole in a soundtrack. It has many colours and meanings.”
"Primarily known for his Westerns, Mann portrayed a world of violence against some of the most striking natural vistas in cinema history. His crime films are gritty and real, and all his work reflects an exploration of the complex psychology of the human soul." —William R. Meyer (The Film Buff's Catalog, 1978)
“For me, distance montage opens up the mysteries of the movement of the universe. I can feel how everything is made and put together; I can sense its rhythmic movement.”
“I refer to my work as being cinematographic poetry and that’s why I love that layering, those superimpositions, right from the beginning of my filmic work.”