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Christian's Favorite Auteurs

Displaying auteurs 1 - 20 of 24 in total
W120

Jordan Belson

“The distinction between an external scene perceived in the usual way and the scene perceived with the inner eye is very slight to me.”

 
W120

Philippe Grandrieux

“I never watched any rushes. Because I frame the shots and operate the camera, the images are directly inscribed on my retina.”

 
W120

Emlen Etting

“The films became so much more exciting that my little experiments were pitiful compared to the films of now, it’s all out. It isn’t that they do poems yet, but they do the experimentation that has brought the most fantastic results. I go to the movies now and am absolutely bowled [over] with amazement with the marvels that they do in films. I think it is the great art of today.”

 
W120

Mitchell Leisen

“The camera never moves arbitrarily in any of my films. It follows somebody across the room or some kind of action; therefore you are not particularly conscious of the camera moving. Unnecessary camera movement destroys the concentration of the audience.”

 
W120

Alexander Mackendrick

“Film dialogue is best when it has an immediate purpose and produces reactions in others.”

 
W120

Michelangelo Antonioni

“Hollywood is like being nowhere and talking to nobody about nothing.”

 
W120

Audrius Stonys

“I love silence. Silence is a powerful tool in cinema language. It gives space for the imagination and contemplation. Silence is not a hole in a soundtrack. It has many colours and meanings.”

 
W120

Anthony Mann

"Primarily known for his Westerns, Mann portrayed a world of violence against some of the most striking natural vistas in cinema history. His crime films are gritty and real, and all his work reflects an exploration of the complex psychology of the human soul." —William R. Meyer (The Film Buff's Catalog, 1978)

 
W120

Richard Kern

“Everything else seemed so pretentious, so we were always trying to do stuff that was totally unjustifiable.”

 
W120

Forugh Farrokhzad

“Sound, sound, sound. Only sound remains.”

 
W120

Artavazd Peleshian

“For me, distance montage opens up the mysteries of the movement of the universe. I can feel how everything is made and put together; I can sense its rhythmic movement.”

 
W120

Jean Genet

“To achieve harmony in bad taste is the height of elegance.”

 
W120

Peter Tscherkassky

“I refer to my work as being cinematographic poetry and that’s why I love that layering, those superimpositions, right from the beginning of my filmic work.”