“...in America, instead of making the audience come to the film, the idea seems to be for you to go to the audience. They come up with the demographics for the film and then the film is made and sold strictly to that audience. Not to say that it's all bad, but it leaves a lot of the rest of us out of it. To me cinema can be a much more friendly world if there's a lot of things to choose from.”
“Horror is the future. And you cannot be afraid. You must push everything to the absolute limit or else life will be boring. People will be boring. Horror is like a serpent; always shedding its skin, always changing. And it will always come back. It can't be hidden away like the guilty secrets we try to keep in our subconscious.”
“I love the bomb. It's sort of a religious totem to me. Like the plague in the Middle Ages, it's the hand of God coming out indiscriminantly to snatch you.”
“The thing I find about the movie industry is that 99 percent of the people are absolute scum. But the other 1 percent are really the greatest, most wonderful people in the world.”
“With Irma Vep, all of a sudden I decided that it was okay to mix genre, to mix cultures, and that movies sometimes could be experiments, that within the format of modern cinema, within the format of narrative, you could experiment by mixing elements.”
“A lot of people cry at the end of the movie. Some people come out and smoke a cigarette. Some people go for a walk or a cigarette in the middle of the movie. Each person handles the movie as he wants...”
“Sometimes they think the way we work is very stylish and romantic, but actually it's the way we can survive and make the films. We can work with the things that we get, but not the things we wish we had.”
“I don't think about the audience, I don't think about what makes them happy, because there's no way for me to know. They think of the audience as a mass, but in fact every person in the audience is different. So entertainment for everyone doesn't exist.”