“Things are being simplified a lot for us lately. I think people are hungry for something that shows more respect for the complexity of life, the depth, the grey areas.”
“If someone were to tell me I had twenty years left, and ask me how I'd like to spend them, I'd reply 'Give me two hours a day of activity, and I'll take the other twenty-two in dreams.'”
“I'm in a unique situation. I'm like now an elderly retired guy who made a lot of money, and now I can just, instead of playing golf, I can make art films.”
“I always think that the women’s characters have more potential of exposure. They’re suppressed, but somehow at the crucial moment they’re strong, more powerful than the men’s characters. In Hong Kong the critics always say that the male characters in my films are always weak and dull.”
“The necessity to conceptualize has to come very early on, and defining a vector of development for that film also at the beginning of the process will allow you much more freedom as you go along.”
“I cannot just make a film and walk away from it. I need that creative intimacy, and quite frankly, the control to execute my visions, on all my projects.”
“You have to show violence the way it is. If you don't show it realistically, then that's immoral and harmful. If you don't upset people, then that's obscenity.”
“I think what makes compelling fiction or cinema is when you're basically taking the most intense moments of experience and you're creating a song or a narrative out of it.”