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NickJB's Favorite Auteurs

Displaying auteurs 1 - 20 of 28 in total
W120

Jean Vigo

[on his film, Nizza] “In this film, by showing certain basic aspects of a city, a way of life is put on trial. The last gasps of a society so lost in its escapism that it sickens you and makes you sympathetic to a revolutionary solution.”

 
W120

Roberto Rossellini

“I am not a pessimist; to perceive evil where it exists is, in my opinion, a form of optimism.”

 
W120

Jean Renoir

“A director makes only one movie in his life. Then he breaks it into pieces and makes it again.”

 
W120

Satyajit Ray

“What is attempted in these films is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure.”

 
W120

Marco Ferreri

“The values that once existed no longer exist. The family, the bourgeoisie—I’m talking about values, morals, economic relationships. They no longer serve a purpose. My films are reactions translated into images.”

 
W120

Jacques Becker

"There are several good ways of making French films. Italian style, like Renoir. Viennese, like Ophuls. New Yorker, like Melville. But only Becker was and is French as France, French as Fontenelle’s rose and Bonnot’s gang." —Jean-Luc Godard

 
W120

Kenji Mizoguchi

“You must put the odor of the human body into images...describe for me the implacable, the egoistic, the sensual, the cruel...there are nothing but disgusting people in this world.”

 
W120

Fritz Lang

“I should say that I was a visual person. I experience with my eyes and never, or rarely, with my ears...to my constant regret.”

 
W120

Tod Browning

“The thing you have to be most careful of in a mystery story, is not to let it verge on the comic. If a thing gets too gruesome and too horrible, it gets beyond the limits of the average imagination and the audience laughs. It may sound incongruous, but mystery must be made plausible.”

 
W120

Mario Bava

“In a horror film, lighting is 70% of the effectiveness. It’s essential in creation the atmosphere.”

 
W120

Pier Paolo Pasolini

“The mark which has dominated all my work is this longing for life, this sense of exclusion, which doesn't lessen but augments this love of life.”

 
W120

Frans Zwartjes

“My own motor system determined the film style.”

 
W120

Alain Resnais

“I'm always in search of special nonrealistic language that has musicality. ”

 
W120

Marco Bellocchio

“For me a film grows from an image.”

 
W120

Luchino Visconti

“I took a round trip around Hollywood because I think it frightened me. I didn’t want to get burned in that glare.”

 
W120

Shôhei Imamura

“I show true things using fictional techniques but maintaining truthfulness — that's where my approach differs from Ozu. He wanted to make film more aesthetic. I want to make it more real. He aspired toward a cinematic nirvana. When I was his assistant, I was very opposed to him, but now, whilst still not liking his films, I'm much more tolerant. As for me, I'd like to destroy this premise that cinema is fiction.”

 
W120

Nagisa Ôshima

“My hatred for Japanese cinema includes absolutely all of it.”

 
W120

Jacques Tati

“Like a dancer learns to dance ... a visual comic learns to use his legs.”

 
W120

Robert Bresson

“Make visible what, without you, might perhaps never have been seen.”