“Color, like all power, can be harmful and destructive when used badly, life-giving and creative when used well. Animals and human beings have been and are unconsciously subject to a strange hypnotic influence of color. How many times have you walked into a strange house and felt depressed because of the color of the wall-paper! How many times have you found consolation in the rich riot of shades of a gorgeous sunset?”
“His penis saved his soul. Otherwise, he might have become a total Nazi.” (on Europa Europa protagonist Solomon Perel, a circumcised Jew who posed as an “Aryan” German during World War II to escape persecution)
“I love the bomb. It's sort of a religious totem to me. Like the plague in the Middle Ages, it's the hand of God coming out indiscriminantly to snatch you.”
“You know, people always think if you start out as a film editor, you shoot less footage. Actually, just the opposite is true. I tend to grab as much coverage as I can because as a former editor I know how important it is to have those few frames. ”
“I cannot just make a film and walk away from it. I need that creative intimacy, and quite frankly, the control to execute my visions, on all my projects.”
“Horror is the future. And you cannot be afraid. You must push everything to the absolute limit or else life will be boring. People will be boring. Horror is like a serpent; always shedding its skin, always changing. And it will always come back. It can't be hidden away like the guilty secrets we try to keep in our subconscious.”
“Comedy just pokes at problems, rarely confronts them squarely. Drama is like a plate of meat and potatoes, comedy is rather the dessert, a bit like meringue.”
“Movie directors, or should I say people who create things, are very greedy and they can never be satisfied...that's why they can keep on working. I've been able to work for so long because I think next time, I'll make something good.”
“You have to show violence the way it is. If you don't show it realistically, then that's immoral and harmful. If you don't upset people, then that's obscenity.”
“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”
“It is my duty to direct because the films might be the inner chronicle of what we are, and we have to articulate ourselves. Otherwise we would be cows in the field.”