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Django's Favorite Auteurs

Displaying auteurs 1 - 20 of 25 in total
W120

Josef von Sternberg

“I care nothing about the story, only how it is photographed and presented.”

 
W120

Terrence Malick

“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”

 
W120

Busby Berkeley

“In an era of breadlines, depression and wars, I tried to help people get away from all the misery…to turn their minds to something else. I wanted to make people happy, if only for an hour.”

 
W120

Luc Besson

“Cinema never saved anyone's life, it is not a medicine that will save anyone's life. It is only an aspirin. There are a few directors that I really loved who made like five, six great movies, but are still shooting and they're not good anymore.”

 
W120

Mike Leigh

“The whole thing about making films in an organic film location is that it's not all about characters, relationships and themes, it's also about place and the poetry of place. It's about the spirit of what you find, the accidents of what you stumble across”

 
W120

Claude Lanzmann

“Memories are full of holes, but if you recreate the scene in concrete conditions you get not just a memory, but a reliving.”

 
W120

Nuri Bilge Ceylan

“In my films the landscapes connect the characters to a sense of something cosmic. I try to recapture those moments in life where you suddenly feel that connection to a wider universe.”

 
W120

Wes Anderson

“I know that feeling of looking back and thinking, that part I'd like to fix. So I obsessively try not to compromise.”

 
W120

Béla Tarr

“I think censorship is always there. Then it was the censorship of the state and now it's the censorship of the market.”

 
W120

Jean Vigo

[on his film, Nizza] “In this film, by showing certain basic aspects of a city, a way of life is put on trial. The last gasps of a society so lost in its escapism that it sickens you and makes you sympathetic to a revolutionary solution.”

 
W120

Werner Herzog

“It is my duty to direct because the films might be the inner chronicle of what we are, and we have to articulate ourselves. Otherwise we would be cows in the field.”

 
W120

Fritz Lang

“I should say that I was a visual person. I experience with my eyes and never, or rarely, with my ears...to my constant regret.”

 
W120

Louis Malle

“You must find the note, the correct key, for your story. If you find it, everything will work. If you do not, everything will stick out like elbows.”

 
W120

Orson Welles

“A film is never really good unless the camera is an eye in the head of a poet.”

 
W120

Sergei Eisenstein

“Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?”

 
W120

Bernardo Bertolucci

“I don't film messages. I let the post office take care of those.”

 
W120

Woody Allen

“Comedy just pokes at problems, rarely confronts them squarely. Drama is like a plate of meat and potatoes, comedy is rather the dessert, a bit like meringue.”

 
W120

Wong Kar-wai

“Sometimes they think the way we work is very stylish and romantic, but actually it's the way we can survive and make the films. We can work with the things that we get, but not the things we wish we had.”

 
W120

Jacques Tati

“Like a dancer learns to dance ... a visual comic learns to use his legs.”

 
W120

François Truffaut

“I have always preferred the reflection of the life to life itself.”