Fringe novelist (Mothers Got a Whip), script consultant, ghost writer (though almost never hired in either of these capacities); experienced screenwriter, videomaker in the mode of Kafka’s The Trial, The Castle, or Amerika (though in subject matter and tone my work is nothing like Kafka’s). One piece of published film criticism working on second.
Always looking for potential collaborators or at least like minded people interested in synthesizing Art film and Avant-garde with elements of intelligently deployed sensationalism (including genre and exploitation).
Educated in psychology and philosophy (somewhat); cinema obsessive, much to my greater detriment.
Other terms I would add to the style section not made available to me are as follows:
Film as a Subversive Art
Provocative and Confrontational
Cutting Edge
Iconoclastic
International and Iconoclastic
Intelligently Erotic
