“Everything that I've done so far has had a bigger budget than the last, but I've never ever felt the benefit of the bigger budget because the ideas always exceed the budget. ”
“I don't think you go to a play to forget, or to a movie to be distracted. I think life generally is a distraction and that going to a movie is a way to get back, not go away.”
“My whole philosophy of film-making – not that I’ve done it much – is that it’s a conspiracy. Conspire in Latin means ‘to breathe with’, and that’s how I feel about making a film. I want everyone to be making the film, not just me telling them what to do, because these guys are all experts in their field”
“As a filmmaker, the last thing you want to do is place kids in emotional or physical jeopardy. Especially for me, coming from a place of really loving those kids.”
“With very few exceptions, the best original scenarios have been written either by writers who knew the cinema particularly well, or by professional film workers. Although it may seem at first sight that anybody should be able to write a film scenario, experience shows that good scenarios are very rare.”
“With Irma Vep, all of a sudden I decided that it was okay to mix genre, to mix cultures, and that movies sometimes could be experiments, that within the format of modern cinema, within the format of narrative, you could experiment by mixing elements.”
“What's important for me in a film is that it be alive, that it be imbued with presence, which is basically the same thing. And that this presence, inscribed within the film, possesses a form of magic. There's something profoundly mysterious in this.”
“As I originally developed [AKIRA], I used each issue to build more depth and size into this mammoth city [Neo-Tokyo]. I kept trying to achieve this by creating a variety of situations to stage the graphic storytelling. But with film you get to combine all this into one and I think that it is much more convincing on film than in a serialised comic strip.”
“Documentary can requote reality I think more honestly and authentically, when done properly, than any other medium. If it is practiced properly, then it is more like photography than cinematography.”
“I think I applied a painterly way of thinking to film at the time. Let me explain what I mean. In painting you start with a blank canvas, you start with nothing and you create your image, particle by particle; whereas in film, usually, you just open your lens and you have a vast quantity of objects which become parts of your image. They are opposite processes. Being a painter, I wanted to create an image, to really make a film.”