“I'm in a unique situation. I'm like now an elderly retired guy who made a lot of money, and now I can just, instead of playing golf, I can make art films.”
“...in America, instead of making the audience come to the film, the idea seems to be for you to go to the audience. They come up with the demographics for the film and then the film is made and sold strictly to that audience. Not to say that it's all bad, but it leaves a lot of the rest of us out of it. To me cinema can be a much more friendly world if there's a lot of things to choose from.”
“What is attempted in these films is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure.”
“What I try to do, with the actors' consent, is to create something by beginning with a set situation that we can deviate from in the course of the shoot. ”
[Answering the questions: what keeps you going?] "There is no secret – it is work! It is doing something, it is a natural impulsion. My life is so complicated – I need space around me, I have so much going on and my house is small, and I need breathing space. I cannot seem to sort it out. I cannot either stretch time, or enlarge the house. That would take up precious time which I cannot afford."
"There are several good ways of making French films. Italian style, like Renoir. Viennese, like Ophuls. New Yorker, like Melville. But only Becker was and is French as France, French as Fontenelle’s rose and Bonnot’s gang." —Jean-Luc Godard
“Why films? Because I am totally crazy. I can’t live without making films. I look at the struggle and misery of contemporary life. And try to say something to the best of my ability.”