“It was a romance from the start. The minute you know you can make a drawing move, the static drawing loses its appeal: movement is life. Animation represents the greatest breakthrough in 20th Century art.”
“One of the things I do feel about today’s films is that they are too frenetic. There’s too much cut cut cut cut cut. When something is playing beautifully, and you have beautiful actors, you don’t have to cut all the time, because it doesn’t help the scene. It just destroys it.”
“We make films that we ourselves would want to see and then hope that other people would want to see it. If you try to analyze audiences or think there's some sophisticated recipe for success, then I think you are doomed. You're making it too complicated.”
“The body always plays an important role in my films. You could say the body is the most beautiful thing we have or you could say it’s the ugliest thing we have. We can sell bodies, we can adore or worship bodies.”
“In an era of breadlines, depression and wars, I tried to help people get away from all the misery…to turn their minds to something else. I wanted to make people happy, if only for an hour.”
“There are lots of different ways to make film. I don’t believe there has to be any orthodox way to making movies, or any rules. It’s what works for the filmmaker, and, theoretically, the audience.”
“For us, the main theme of “Let It Rain” was how all these people, with their different subjects and problems, the common agent is that they all feel the victim of something and they all need to be recognized in their pain. People say, ‘I suffered, I suffered,’ sometimes forgetting others are suffering too.”
“I thank you for this award, though I think there may be a problem with a world in which making small, human and humorous films is ‘an achievement.’ It should be the norm.”
“Comedy just pokes at problems, rarely confronts them squarely. Drama is like a plate of meat and potatoes, comedy is rather the dessert, a bit like meringue.”