“There is probably no moment in picturemaking that is more acutely essential to a director’s success than the instant of his choice of story material. For the director, that is the moment of conception.”
“I look for very strong visual unity by using a type of framing and camera movement that is very simple. Everything
must come from inside. It mustn’t be superficial. I hate weird camera angles and distorting lenses.”
“It is the dividing lines that make one’s public. And the dividing lines end up in one way or another being lines which correspond to the lines of class, and class struggle.”
“If there are ‘narrative cinema’ elements in my films I don’t want them to take you ‘elsewhere’ but to keep you here watching the film, a construct, an artificiality.”
“Films can illustrate our existence…they can distress, disturb and provoke people into thinking about themselves and certain problems. But NOT give the answers.”
“I’m a multi-faceted, talented, wealthy, internationally famous genius. I have an IQ of 190 — that’s supposed to be a genius. People don’t like that. My answer to all my critics is simple: I like me. I like what I’ve become. I’m proud of what I’ve achieved, and I don’t really believe I’ve scratched the surface yet.”
“What's important for me in a film is that it be alive, that it be imbued with presence, which is basically the same thing. And that this presence, inscribed within the film, possesses a form of magic. There's something profoundly mysterious in this.”
“I cannot just make a film and walk away from it. I need that creative intimacy, and quite frankly, the control to execute my visions, on all my projects.”
“It is the dividing lines that make one’s public. And the dividing lines end up in one way or another being lines which correspond to the lines of class, and class struggle.”
“French production is not definitively outclassed by the Americans...we are not henceforth going to be reduced always to following in others’ footsteps.”
“I perceive 'Pierre' (Pola X) in the same way that I perceive my own life: I understand both 'poorly' but I’m obliged to explore them. That’s what a project is: a heavy question mark. You’re the dot under that mark and you mustn’t let it crush you.”