“A few days before we started shooting, some weird stangers appeared resembling Che Guevara’s cousins and told me 'Give us your script to read and we’ll let you know whether you should make this movie.' Of course, I gave it to them. Two days later they returned saying 'We like it, you can go ahead.' And I went ahead and shot it.”
“The directing of a picture involves coming out of your individual loneliness and taking a controlling part in putting together a small world. A picture is made. You put a frame around it and move on.”
“My mind was always on the commoners, not on the lords, politicans, or anyone of name and fame. I wanted to convey the lives of down-to-earth people who live like weeds.”
“From the very beginning, even when I’m writing, I think a lot about the sound. Many elements of my work in cinema come from oral storytelling and oral tradition. I think about sound and the rhythm of the sound.”
“The most difficult thing in the world is to reveal yourself, to express what you have to. As an artist, I feel that we must try many things - but above all we must dare to fail. You must be willing to risk everything to really express it all.”
“The funnier it is in the beginning of a story, the more dramatic it can become. Because when an audience is laughing, that's opening their souls somehow, and when you have an audience with an open soul, it's much better to hit them with a knife.”
“Each time I'm starting to work on a film, even if I love to settle the plot in the real world, I start to think about the plot as a fairy tale, or a dream, or a nightmare...”
“You have to show violence the way it is. If you don't show it realistically, then that's immoral and harmful. If you don't upset people, then that's obscenity.”