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J.'s Favorite Auteurs

Displaying auteurs 1 - 20 of 33 in total
W120

Pedro Costa

“If you don't risk yourself and the people with whom you're working in almost every shot you make, it's not good, it's useless, it's just another film.”

 
W120

Krzysztof Kieślowski

“Maybe it is worth investigating the unknown, if only because the very feeling of not knowing is a painful one.”

 
W120

Wong Kar-wai

“Sometimes they think the way we work is very stylish and romantic, but actually it's the way we can survive and make the films. We can work with the things that we get, but not the things we wish we had.”

 
W120

Francis Ford Coppola

“I'm in a unique situation. I'm like now an elderly retired guy who made a lot of money, and now I can just, instead of playing golf, I can make art films.”

 
W120

Julian Schnabel

“Some people must go to extremes to get the world in balance for themselves. Some can't bear bright lights, so wherever they go they search for the dark; they turn the lights down, anything to sustain some level of comfort.”

 
W120

Jim Jarmusch

“I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are. ”

 
W120

Richard Kelly

“I don’t ever want to make an impersonal film.”

 
W120

Yasuzo Masumura

“My goal is to create an exaggerated depiction featuring only the ideas and passions of living human beings.”

 
W120

Terry Gilliam

“You get trapped by stories. Though I've got this reputation for being out of control, it's not true, it just happens to be a more interesting story than the truth.”

 
W120

Terrence Malick

“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”

 
W120

David Cronenberg

“Anybody who comes to the cinema is bringing their whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.”

 
W120

François Truffaut

“I have always preferred the reflection of the life to life itself.”

 
W120

Luis Buñuel

“If someone were to tell me I had twenty years left, and ask me how I'd like to spend them, I'd reply 'Give me two hours a day of activity, and I'll take the other twenty-two in dreams.'”

 
W120

Ingmar Bergman

“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”

 
W120

Agnès Varda

“I'm not interested in seeing a film just made by a woman - not unless she is looking for new images.”

 
W120

Víctor Erice

“I think that among the arts, cinema is the least known. Its history is generally ignored, and so is, above all, its real nature. As cinema is the most secret of all artistic languages, it is also the least understood.”

 
W120

Chris Marker

“Rarely has reality needed so much to be imagined.”

 
W120

Andrei Tarkovsky

“Juxtaposing a person with an environment that is boundless, collating him with a countless number of people passing by close to him and far away, relating a person to the whole world, that is the meaning of cinema.”

 
W120

David Lynch

“I don't think about technique. The ideas dictate everything. You have to be true to that or you're dead.”

 
W120

Louis Malle

“You must find the note, the correct key, for your story. If you find it, everything will work. If you do not, everything will stick out like elbows.”