“I’m a long-term student but also a committed autodidact. Therefore I’m as much interested in the ways people learn things for themselves as in the way they do through dialogue and communication. I like to film the way someone moves who is acquiring a new skill or learning something about the world.”
“By the time a film of mine makes it into the theaters, I have a love-hate relationship with it. There is always something I could have done to make it better.”
“I have sought that lost grace in the film-making process, where the material things of the world – money, buildings, sets, plastic, metal, people – disappear into a camera and become nothing but light and shadow flickering on a wall: matter into spirit, the alchemists would say.”
“I wouldn't say I'm a very controlling person. For instance, when I talk to the actors, I don't tell them exactly what I want because I want them to surprise me. I even encourage them to change some of the verses of the script if they need to.”
“It may seem like the martial arts world has always been dominated by male characters. But that's only the physical difference. My idea is to create an impact when you see a woman fighter fighting with all the might of a man.”
“I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.”
“From the moment I enter the movie theater and the lights go out and the first images come up on the screen, I’m very happy about the fact that that film exists and I feel a great warmth toward it – even if, in the end, it turns out that it’s not a particularly good film.”
“My mother used to say ‘stay away from politics’, because my father went to prison. But if you reject politics, you reject a lot of relationships. The worst thing in society is individualism.”
“A film is alive. You shouldn’t stifle it. You should never over art-direct, over conceive, over research, or walk in with an exact idea of how things should be done.”