“I try to write something that's complicated. That has different levels within it - I think people can do what they want to do once they watch the movie. I intend it to be what it is. I write for myself. What I understand.”
“[on Cassavetes] We had a great deal of freedom when John acted. We traveled a lot and it was fun. But with directing … really. I think people don’t have all their marbles who prefer directing to acting because you write for three months, you cut for maybe six months. He’s the most terrifying perfectionist about what he wants. As an artist I love him. As a husband I hate him.”
“Daddy [Charles Chaplin] has never seen anything I’ve done, but he is the best critic I have. He has taught me how to tear down a character. “Slug your guts out” is his philosophy of acting. Never mind the talent, just work hard.”
“What you call film noir I call ‘psychological drama.’ It reflects the fact that there are so many facets in human beings. And that is why I don’t know if anyone else calls it ‘psychological drama’ but I do. At that time, to myself, it was psychological and dramatic, because it showed all these facets of human experience and conflict, that these women [femme fatales] could be involved with their heart and yet could think with their mind.”
“Because I was his (director, Roman Polanski) wife, the press judged me as a wife and not as an actress, which was very painful for me. That’s why I decided to do my own work and work separately. But one day I would love to do a great movie with him.”
“The actor should not play a part. Like the Aeolian harps that used to be hung in the trees to be played only by the breeze, the actor should be an instrument played upon by the character he depicts.”
“It’s true that the French have a certain obsession with sex, but it’s a particularly adult obsession. France is the thriftiest of all nations; to a Frenchman, sex provides the most economical way to have fun. The French are a logical race.”
“You shouldn't get mad at the New York reviewers. Actually, it's very difficult for a reviewer to give something called I Walked with a Zombie a good review.”
“I love acting and I still want to do it, but I've such an instinct for directing, it's something that comes naturally to me. It's why I'm here on this planet.”
“Films were never in my budget. Didn’t occur to me till much later. I hoped for a long, good life, which I`ve had and I`m having as an actor. I didn`t expect the rest.”
“I had no desire to be an film actress, to always play somebody else, to be always beautiful with somebody constantly straightening out your every eyelash. It was always a big bother to me.”
“Artificial light is simple. It is a specific color temperature and feel. But, natural light is complex and sometimes chaotic. A bounce from the floor or a reflection from the sky can do so much.”
“The great art of films does not consist of descriptive movement of face and body but in the movements of thought and soul transmitted in a kind of intense isolation.”
“During Double Indemnity, Fred MacMurray would go to rushes. I remember asking Fred, "How was I?" [Fred's response was] "I don't know about you, but I was wonderful!" Such a true remark. Actors only look at themselves.”
“I am at such a nice time in my life and I don’t want to end that for something that I don’t 100 percent love. You have to defend a film that you have done no matter what - professionally and personally.”
“I shall take my voice wherever there are those who want to hear the melody of freedom or the words that might inspire hope and courage in the face of fear. My weapons are peaceful, for it is only by peace that peace can be attained. The song of freedom must prevail.”