“When you see Filipino films in general they are devoid of humour. I guess it’s reflective of the effects of history and we try to laugh everything off but deep down inside it’s a history of sadness.”
[Answering the questions: what keeps you going?] "There is no secret – it is work! It is doing something, it is a natural impulsion. My life is so complicated – I need space around me, I have so much going on and my house is small, and I need breathing space. I cannot seem to sort it out. I cannot either stretch time, or enlarge the house. That would take up precious time which I cannot afford."
“I formulated my own directing style in my own head, proceeding without any unnecessary imitation of others… For me there was no such thing as a teacher. I have relied entirely on my own strength.”
“It is the dividing lines that make one’s public. And the dividing lines end up in one way or another being lines which correspond to the lines of class, and class struggle.”
“It is the dividing lines that make one’s public. And the dividing lines end up in one way or another being lines which correspond to the lines of class, and class struggle.”
“If you don't risk yourself and the people with whom you're working in almost every shot you make, it's not good, it's useless, it's just another film.”
“What's important for me in a film is that it be alive, that it be imbued with presence, which is basically the same thing. And that this presence, inscribed within the film, possesses a form of magic. There's something profoundly mysterious in this.”
“Juxtaposing a person with an environment that is boundless, collating him with a countless number of people passing by close to him and far away, relating a person to the whole world, that is the meaning of cinema.”