“I think that the main impact on my work, on the making of this film, came from the intensity of the similarity I felt to Edvard Munch as a man, as an artist, as someone who struggled throughout his life.”
“From the very beginning, even when I’m writing, I think a lot about the sound. Many elements of my work in cinema come from oral storytelling and oral tradition. I think about sound and the rhythm of the sound.”
“I studied philosophy because it demands an intellectual outlook on the world [...] But I soon discovered that philosophy was too subjective: it lacks heart, it’s over-intellectual, and I found that it made me cut myself off from the everyday.”
“If you don't risk yourself and the people with whom you're working in almost every shot you make, it's not good, it's useless, it's just another film.”
“Sometimes they think the way we work is very stylish and romantic, but actually it's the way we can survive and make the films. We can work with the things that we get, but not the things we wish we had.”
“I believe that it doesn't really matter how large an audience my film gets; as long as my films can be shown in China, and there can be any kind of real market for them here, that would be hugely significant for me personally.”