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Traumas's Favorite Auteurs

Displaying auteurs 1 - 20 of 28 in total
W120

Michael Haneke

“Every film is manipulative, raping the viewer. So the question is: Why do I rape the viewer?”

 
W120

Richard Linklater

“I've always liked the minds of criminals, they seem similar to artists. ”

 
W120

Lars von Trier

“I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.”

 
W120

Maya Deren

“The task of cinema or any other art form is not to translate hidden messages of the unconscious soul into art but to experiment with the effects contemporary technical devices have on nerves, minds, or souls.”

 
W120

Hayao Miyazaki

“Modern life is so thin and shallow and fake. I look forward to when developers go bankrupt, Japan gets poorer and wild grasses take over.”

 
W120

Spike Jonze

“Being able to shoot on videos and commercials — just being on the set, with only a certain amount of time and shots and sequences to do in that amount of time, learning how to work with the crew the physical production and the limitations — is all good training.”

 
W120

Mike Leigh

“The whole thing about making films in an organic film location is that it's not all about characters, relationships and themes, it's also about place and the poetry of place. It's about the spirit of what you find, the accidents of what you stumble across”

 
W120

Lindsay Anderson

“Revolution is the opium of the intellectuals.”

 
W120

Tsai Ming-liang

“The body always plays an important role in my films. You could say the body is the most beautiful thing we have or you could say it’s the ugliest thing we have. We can sell bodies, we can adore or worship bodies.”

 
W120

Shinya Tsukamoto

“It’s strange. Part of me loves a city like Tokyo, but part of me would quite happily destroy it.”

 
W120

Terry Gilliam

“You get trapped by stories. Though I've got this reputation for being out of control, it's not true, it just happens to be a more interesting story than the truth.”

 
W120

Jan Švankmajer

“I never call myself an animated filmmaker because I am interested not in animation techniques or creating a complete illusion, but in bringing life to everyday objects.”

 
W120

Andrzej Żuławski

“To please the majority is the requirement of the Planet Cinema. As far as I’m concerned, I don’t make a concession to viewers, these victims of life, who think that a film is made only for their enjoyment, and who know nothing about their own existence.”

 
W120

Gaspar Noé

“A lot of people cry at the end of the movie. Some people come out and smoke a cigarette. Some people go for a walk or a cigarette in the middle of the movie. Each person handles the movie as he wants...”

 
W120

Takeshi Kitano

“Sword fighting in film is not about how good the fighter is, but how good the actor receiving the blows is.”

 
W120

Werner Herzog

“It is my duty to direct because the films might be the inner chronicle of what we are, and we have to articulate ourselves. Otherwise we would be cows in the field.”

 
W120

Takashi Miike

“I don't think about the audience, I don't think about what makes them happy, because there's no way for me to know. They think of the audience as a mass, but in fact every person in the audience is different. So entertainment for everyone doesn't exist.”

 
W120

Sergei Eisenstein

“Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?”

 
W120

Stan Brakhage

“There are a lot of movies made for nobody.”

 
W120

Ingmar Bergman

“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”