“There are lots of different ways to make film. I don’t believe there has to be any orthodox way to making movies, or any rules. It’s what works for the filmmaker, and, theoretically, the audience.”
“I am for sure a filmmaker. And so I stayed the same since the beginning, stayed true to myself, because I think cinema is not only matter of aesthetics but also a matter ethics.”
“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”
“Cinema never saved anyone's life, it is not a medicine that will save anyone's life. It is only an aspirin.
There are a few directors that I really loved who made like five, six great movies, but are still shooting and they're not good anymore.”
“Paris, which had always amused me on holiday, was too lovely… Emigration was no hardship, it was an outing. It offered the shining wet boulevards under the street lights, breakfast in Monmartre with cognac in your glass, coffee and lukewarm brioche, gigolos and prostitutes at night… Everyone in the world has two fatherlands: his own and Paris.”
“In a film-making career spanning forty years, René Clément was one of the most acclaimed film directors of his generation, whose masterpiece was 'Forbidden Games', a haunting tale of war's carnage told from a child's point of view. ”
“There’s almost a fear that if you understood too deeply the way you arrived at choices, you could become self-conscious. In any case, many ideas which are full of personal meaning seem rather banal when you put words to them.”