“I try to rely a lot on my own intuition, on what I think about the frame. It’s better maybe not to be too dogmatic about the things you’d like to see.”
“I always think that the women’s characters have more potential of exposure. They’re suppressed, but somehow at the crucial moment they’re strong, more powerful than the men’s characters. In Hong Kong the critics always say that the male characters in my films are always weak and dull.”
“You like these films, but you can't imagine how often they represent only fifty percent of what I wanted to do. You have no idea how I had to fight to achieve even that fifty percent.”
“A film is alive. You shouldn’t stifle it. You should never over art-direct, over conceive, over research, or walk in with an exact idea of how things should be done.”
“The thing you have to be most careful of in a mystery story, is not to let it verge on the comic. If a thing gets too gruesome and too horrible, it gets beyond the limits of the average imagination and the audience laughs. It may sound incongruous, but mystery must be made plausible.”
“I was raised a Catholic and when you're raised a Catholic they don't teach you to think for yourself...you're taught not to think too deeply about things.”