“For me, cinema is sorcery, a creative way to interact with the world in order to rearrange perception and expand consciousness, both the viewers and my own.”
“Making a film is so hard that if you don't have your main actors going along with the ride with the rest of the crew it can make your life very difficult.”
“People say I pay too much attention to the look of a movie but for God's sake, I'm not producing a Radio 4 Play for Today, I'm making a movie that people are going to look at. ”
“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”
“I, as a filmmaker, treat my works as I do my own sons or daughters. I don't care if people are fond of them or despise them, as long as I created them with my best intentions and efforts.”
“You look at the industry; they’re distorting everything, its very escapist. It’s all about vanity, about making money, about seeking fame and fortune.”
“I cannot just make a film and walk away from it. I need that creative intimacy, and quite frankly, the control to execute my visions, on all my projects.”
“My conception of it was that in a normal film you have a story with different movements that program, develop, go a little bit off the trunk, come back, and end. ”
“What fascinates me are people who want to be one thing but who behave in a way contradictory to that. Who might say, ‘I want to be happy, but I keep doing things that make me unhappy.”
“I think that among the arts, cinema is the least known. Its history is generally ignored, and so is, above all, its real nature. As cinema is the most secret of all artistic languages, it is also the least understood.”