A great backstage movie, even more of a paean to actors and the art of acting than “La Nuit Americaine,” and suffused with Truffaut’s deep and deeply moving humanity, which embraces even the story’s “villain.” Now how about a Criterion edition of “Les Deux Anglaises et le Continent?”
The Last Metro over 3 years ago
A great backstage movie, even more of a paean to actors and the art of acting than “La Nuit Americaine,” and suffused with Truffaut’s deep and deeply moving humanity, which embraces even the story’s “villain.” Now how about a Criterion edition of “Les Deux Anglaises et le Continent?”
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