“I made films because I wanted to make films. I didn’t do it with the intention of giving the audience a message. The act of making a film is a social act.”
“Movie directors, or should I say people who create things, are very greedy and they can never be satisfied...that's why they can keep on working. I've been able to work for so long because I think next time, I'll make something good.”
“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”
“Why films? Because I am totally crazy. I can’t live without making films. I look at the struggle and misery of contemporary life. And try to say something to the best of my ability.”
“I feel that the cinema has done much more for me than I have done for the Sri Lankan cinema. It played a role in bringing me back home and to my roots, and helped me get closer to the Sri Lankan people. I owe the cinema a lot. Sometimes I wonder whether I`ve been specially favoured.”
“I show true things using fictional techniques but maintaining truthfulness — that's where my approach differs from Ozu. He wanted to make film more aesthetic. I want to make it more real. He aspired toward a cinematic nirvana. When I was his assistant, I was very opposed to him, but now, whilst still not liking his films, I'm much more tolerant. As for me, I'd like to destroy this premise that cinema is fiction.”
“I have no regrets at all about being a film director as it is destiny. But if I could choose again, I would rather be a doctor and follow in my father’s footsteps.”