“I make films in the surrealist manner forcing inspiration as often as possible. When I am not inspired, I do not make films. I have always wanted to show the 'impossible' in my films, and to astonish the viewer, rather than entertain or tell the truth. ”
“Some people must go to extremes to get the world in balance for themselves. Some can't bear bright lights, so wherever they go they search for the dark; they turn the lights down, anything to sustain some level of comfort.”
“I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.”
“I'm in a unique situation. I'm like now an elderly retired guy who made a lot of money, and now I can just, instead of playing golf, I can make art films.”
“You know, people always think if you start out as a film editor, you shoot less footage. Actually, just the opposite is true. I tend to grab as much coverage as I can because as a former editor I know how important it is to have those few frames. ”
“There are successes and failures in what we’re doing, but that’s the road we’re walking down – stealing from culture all over the place to write a code so that very quickly the audience can swing from the lowest possible comedy moment to the highest possible tragedy with a bit of music in the middle.”
“You have to be clear about the characters in the beginning and then you just go for it, but in Winter Sleepers it was really a different approach. You get to know somebody, then maybe at first sight you don't like him. In real life that very often happens”
“Each scene should feel right, should be true at that moment, and gradually you accumulate these moments of truth until you get enough of them together that it becomes a story that’s interesting.”