“I am fascinated by the idea of taking every scene as a film and making every scene as good as you want the film to be. I hate to shoot a scene where a guy walks out the door and takes a bus just to show that he takes the bus because this frame can never have the potential of becoming a great scene. I try to treat every scene as it were the only scene.”
“What I have learned from my work up to now, is to try to be open, but also protect myself by not letting the good and the evil get too much importance.”
“In Last Life In The Universe we wanted the audience not to notice when the music comes in or when it goes out. It's there to create atmosphere. I'm drawn to any style of music as long as it's sad. I'm very fond of depressing music. I think it's beautiful.”
“In a perfect world, I would prefer just to draw all day and make these cartoons. But the problem is, if I work for a big studio, then I would lose a lot of my creative ideas.”
“The relationship between the moment of truth that you capture and the moment of truth that the spectator captures is incredible. This is what I consider the godliness of communication.”
“My first step writing, was the idea of going to the snow and having sex with a girl. It changed later to the sea. But that was the most important thing, the loneliness of being young and alone.”
“There is, behind all the conflicts and painful things I show in my films, a fundamental spark of optimism - the conviction that life isn't a mistake, that it all somehow makes sense.”
“You like these films, but you can't imagine how often they represent only fifty percent of what I wanted to do. You have no idea how I had to fight to achieve even that fifty percent.”