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Scott's Favorite Auteurs

Displaying auteurs 1 - 20 of 42 in total
W120

Aleksandr Dovzhenko

“As long as a person lives, there is always a chance to correct mistakes and become a better person.”

 
W120

Vsevolod Pudovkin

“Editing is the foundation of the film art.”

 
W120

Jia Zhangke

“I believe that it doesn't really matter how large an audience my film gets; as long as my films can be shown in China, and there can be any kind of real market for them here, that would be hugely significant for me personally.”

 
W120

Sergei Parajanov

“I believe you have to be born a director. It’s like a child’s adventure: you take the initiative among other children and become a director, creating a mystery. You mould things into shape and create.”

 
W120

Leo McCarey

“I love when people laugh. I love when they cry, I like a story to say something, and I hope the audience feels happier leaving the theater than when it came in.”

 
W120

Howard Hawks

“I'm a storyteller - that's the chief function of a director. And they're moving pictures, let's make 'em move! ”

 
W120

John Ford

“I hate the cinema. But I like making westerns.”

 
W120

Max Ophüls

“Paris, which had always amused me on holiday, was too lovely… Emigration was no hardship, it was an outing. It offered the shining wet boulevards under the street lights, breakfast in Monmartre with cognac in your glass, coffee and lukewarm brioche, gigolos and prostitutes at night… Everyone in the world has two fatherlands: his own and Paris.”

 
W120

Shôhei Imamura

“I show true things using fictional techniques but maintaining truthfulness — that's where my approach differs from Ozu. He wanted to make film more aesthetic. I want to make it more real. He aspired toward a cinematic nirvana. When I was his assistant, I was very opposed to him, but now, whilst still not liking his films, I'm much more tolerant. As for me, I'd like to destroy this premise that cinema is fiction.”

 
W120

Alain Resnais

“I'm always in search of special nonrealistic language that has musicality. ”

 
W120

Douglas Sirk

“If I can say one thing for my pictures, it is a certain craftsmanship. A thought which has gone into every angle. There is nothing there without an optical reason.”

 
W120

Preston Sturges

“The most incredible thing about my career is that I had one.”

 
W120

Víctor Erice

“I think that among the arts, cinema is the least known. Its history is generally ignored, and so is, above all, its real nature. As cinema is the most secret of all artistic languages, it is also the least understood.”

 
W120

Otto Preminger

[Giving direction to a group of children on Exodus (1960)] "Cry, you little monsters!"

 
W120

Pier Paolo Pasolini

“The mark which has dominated all my work is this longing for life, this sense of exclusion, which doesn't lessen but augments this love of life.”

 
W120

Federico Fellini

“What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one...”

 
W120

Bruno Dumont

“I studied philosophy because it demands an intellectual outlook on the world [...] But I soon discovered that philosophy was too subjective: it lacks heart, it’s over-intellectual, and I found that it made me cut myself off from the everyday.”

 
W120

Jacques Rivette

“What's important for me in a film is that it be alive, that it be imbued with presence, which is basically the same thing. And that this presence, inscribed within the film, possesses a form of magic. There's something profoundly mysterious in this.”

 
W120

Orson Welles

“A film is never really good unless the camera is an eye in the head of a poet.”

 
W120

Wong Kar-wai

“Sometimes they think the way we work is very stylish and romantic, but actually it's the way we can survive and make the films. We can work with the things that we get, but not the things we wish we had.”