“I distrust reason and culture. In our thoughts there are images that appear suddenly, without us pondering them. In all my films, even the most conventional ones, is the tendency to irrational conduct that can not be explained logically.”
“If you shot Fred Astaire and Ginger Rogers and shot them with a bunch of close-ups and a bunch of cuts, you would be depriving the audience of what these people can do.”
“The independent world and the studio world are very different. The independent world is about, "Let's get this movie made because it's going to be awesome and we believe in it," and the studio world is about slow business decisions.”
“Comedy just pokes at problems, rarely confronts them squarely. Drama is like a plate of meat and potatoes, comedy is rather the dessert, a bit like meringue.”
“I think that the Internet is going to effect the most profound change on the entertainment industries combined. And we're all gonna be tuning into the most popular Internet show in the world, which will be coming from some place in Des Moines. We're all gonna lose our jobs. We're all gonna be on the Internet trying to find an audience.”
“I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.”
“At some point or another we realize that we’ll be alone for our entire lives. Alone in our minds. No one else can get inside there and truly see what’s going on.”
“Every film I've done has been a Western. The Western is ultimately a stripped down moral universe that is, whatever the dramatic problems are, beyond the normal avenues of social control and social alleviation of the problem, and I like to do that even within contemporary stories.”
“I feel that my job is to create an atmosphere where creative people can do their best work. In other words, I have to create an atmosphere where these people feel safe, where they feel respected, and where they feel that they can contribute.”
“By the time a film of mine makes it into the theaters, I have a love-hate relationship with it. There is always something I could have done to make it better.”
“We need to keep a close relationship with the audiences. Instead of staying away from them, we need to guide them. It is quite pointless to work if we only make movies that are told from an international panorama, or from a European perspective, or anything Hong Kong audiences feel hard to understand.”