“Make 'em redecorate your office. That's primary, to let them know where you stand. Then, when you're shooting interior sequences, use your own interior decorator and set dresser. That way everything on the set will fit your house when you're finished.”
“Everything went off fine for a couple of weeks, and then suddenly we were doing a scene and Marlon spoke to the cameraman, right past me. He said: ‘Look, I’ll tell you, when I go like this, it means roll it, and this gesture means you stop the camera. You don’t stop the camera until I give you the signal’. Well, I was amazed, but I didn’t say anything about it.”
“Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.”
“I look for very strong visual unity by using a type of framing and camera movement that is very simple. Everything
must come from inside. It mustn’t be superficial. I hate weird camera angles and distorting lenses.”
“So I like to try to go back and develop pure visual storytelling. Because to me, it's one of the most exciting aspects of making movies and almost a lost art at this point. ”
“Don’t be embarrassed about opening your mouth and letting rip with all you’ve got, because the person in the seat right next to you, will probably be screaming too!”
“Comedy just pokes at problems, rarely confronts them squarely. Drama is like a plate of meat and potatoes, comedy is rather the dessert, a bit like meringue.”
“Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?”