“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”
“Anybody who comes to the cinema is bringing their whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.”
“I was raised a Catholic and when you're raised a Catholic they don't teach you to think for yourself...you're taught not to think too deeply about things.”
“I've spent a fair amount of time thinking about what my aptitude is, and I really think it's to explore and push the medium. It's not about breaking gender roles or genre traditions.”
“Things are being simplified a lot for us lately. I think people are hungry for something that shows more respect for the complexity of life, the depth, the grey areas.”
“I always ask myself one question: what is human? What does it mean to be human? Maybe people will consider my new films brutal again. But this violence is just a reflection of what they really are, of what is in each one of us to certain degree.”
“If someone were to tell me I had twenty years left, and ask me how I'd like to spend them, I'd reply 'Give me two hours a day of activity, and I'll take the other twenty-two in dreams.'”
“Comedy just pokes at problems, rarely confronts them squarely. Drama is like a plate of meat and potatoes, comedy is rather the dessert, a bit like meringue.”
“I wouldn't say I'm a very controlling person. For instance, when I talk to the actors, I don't tell them exactly what I want because I want them to surprise me. I even encourage them to change some of the verses of the script if they need to.”
“We deserved it. I mean, if you get a pummeling, you deserved it. But isn’t it wonderful to remember a time that America was once so innocent that all we had to worry about was the next “Batman” movie?”
“From the moment I enter the movie theater and the lights go out and the first images come up on the screen, I’m very happy about the fact that that film exists and I feel a great warmth toward it – even if, in the end, it turns out that it’s not a particularly good film.”
“I thank you for this award, though I think there may be a problem with a world in which making small, human and humorous films is ‘an achievement.’ It should be the norm.”