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Oros's Favorite Auteurs

Displaying auteurs 1 - 20 of 24 in total
W120

Wayne Wang

“I am always on the lookout for genuine humanity between my characters, honest communication, although sometimes I can not say exactly what does that really mean. I can also hard to describe. In my films, as well as in real life, I am interested in simple interpersonal connections. ”

 
W120

Quentin Tarantino

“I don't believe in elitism. I don't think the audience is this dumb person lower than me. I am the audience.”

 
W120

Tony Gatlif

“At the time, it was useless to use words to make the case for the gypsies, so I used music as the key.”

 
W120

Emir Kusturica

“What you have now is a Hollywood that is pure poison. Hollywood was a central place in the history of art in the 20th century: it was human idealism preserved. And then, like any great place, it collapsed, and it collapsed into the most awful machinery in…”

 
W120

Krzysztof Kieślowski

“Maybe it is worth investigating the unknown, if only because the very feeling of not knowing is a painful one.”

 
W120

Spike Lee

“I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.”

 
W120

Wes Anderson

“I know that feeling of looking back and thinking, that part I'd like to fix. So I obsessively try not to compromise.”

 
W120

Roman Polanski

“You have to show violence the way it is. If you don't show it realistically, then that's immoral and harmful. If you don't upset people, then that's obscenity.”

 
W120

Joel Coen

“The characters are the result of two things-first, we elaborate them into fairly well-defined people through their dialogue, then they happen all over again, when the actor interprets them. ”

 
W120

Ethan Coen

“We create monsters and then we can't control them. ”

 
W120

Lars von Trier

“I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.”

 
W120

Clint Eastwood

“...in America, instead of making the audience come to the film, the idea seems to be for you to go to the audience. They come up with the demographics for the film and then the film is made and sold strictly to that audience. Not to say that it's all bad, but it leaves a lot of the rest of us out of it. To me cinema can be a much more friendly world if there's a lot of things to choose from.”

 
W120

Federico Fellini

“What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one...”

 
W120

Ingmar Bergman

“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”

 
W120

Norman Jewison

“Betrayal... is my favorite subject.”

 
W120

Jean-Jacques Beineix

“[on releasing the director's cut of Betty Blue] Very simple: More sex, more violence, and more money for me.”

 
W120

Stanley Kubrick

“If it can be written, or thought, it can be filmed.”

 
W120

Alejandro Amenábar

“I wouldn't say I'm a very controlling person. For instance, when I talk to the actors, I don't tell them exactly what I want because I want them to surprise me. I even encourage them to change some of the verses of the script if they need to.”

 
W120

Werner Herzog

“It is my duty to direct because the films might be the inner chronicle of what we are, and we have to articulate ourselves. Otherwise we would be cows in the field.”

 
W120

Rainer Werner Fassbinder

“It isn't easy to accept that suffering can also be beautiful...it's difficult. It's something you can only understand if you dig deeply into yourself.”