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Mauro's Favorite Auteurs

Displaying auteurs 1 - 20 of 27 in total
W120

Nicolas Roeg

“You make the movie through the cinematography - it sounds quite a simple idea, but it was like a huge revelation to me.”

 
W120

Paolo Sorrentino

“I can’t stand anyone or anything. Not even myself! Especially myself! Only one thing I tolerate. The gradient.”

 
W120

Harmony Korine

“What I remember myself from films, and what I love about films, is specific scenes and characters.”

 
W120

Brian De Palma

“So I like to try to go back and develop pure visual storytelling. Because to me, it's one of the most exciting aspects of making movies and almost a lost art at this point. ”

 
W120

Aleksandr Sokurov

“The surface of the screen and that of the canvas are one and the same.”

 
W120

Terrence Malick

“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”

 
W120

Béla Tarr

“I think censorship is always there. Then it was the censorship of the state and now it's the censorship of the market.”

 
W120

Guillermo del Toro

“I like actors that are good with pantomime and that can transmit a lot by their presence and attitude more than through their dialogue.”

 
W120

Joel Coen

“The characters are the result of two things-first, we elaborate them into fairly well-defined people through their dialogue, then they happen all over again, when the actor interprets them. ”

 
W120

Michael Haneke

“Every film is manipulative, raping the viewer. So the question is: Why do I rape the viewer?”

 
W120

Philippe Grandrieux

“I never watched any rushes. Because I frame the shots and operate the camera, the images are directly inscribed on my retina.”

 
W120

Mario Bava

“In a horror film, lighting is 70% of the effectiveness. It’s essential in creation the atmosphere.”

 
W120

David Cronenberg

“Anybody who comes to the cinema is bringing their whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.”

 
W120

Takashi Miike

“I don't think about the audience, I don't think about what makes them happy, because there's no way for me to know. They think of the audience as a mass, but in fact every person in the audience is different. So entertainment for everyone doesn't exist.”

 
W120

Federico Fellini

“What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one...”

 
W120

Abel Ferrara

“I was raised a Catholic and when you're raised a Catholic they don't teach you to think for yourself...you're taught not to think too deeply about things.”

 
W120

Akira Kurosawa

“Movie directors, or should I say people who create things, are very greedy and they can never be satisfied...that's why they can keep on working. I've been able to work for so long because I think next time, I'll make something good.”

 
W120

Takeshi Kitano

“Sword fighting in film is not about how good the fighter is, but how good the actor receiving the blows is.”

 
W120

Luis Buñuel

“If someone were to tell me I had twenty years left, and ask me how I'd like to spend them, I'd reply 'Give me two hours a day of activity, and I'll take the other twenty-two in dreams.'”

 
W120

George A. Romero

“If I fail, the film industry writes me off as another statistic. If I succeed, they pay me a million bucks to fly out to Hollywood and fart.”