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Joseph's Favorite Auteurs

Displaying auteurs 1 - 20 of 71 in total
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Sidney Lumet

“All great work is preparing yourself for the accident to happen.”

 
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Vittorio De Sica

“I've lost all my money on these films. They are not commercial. But I'm glad to lose it this way. To have for a souvenir of my life pictures like Umberto D. and The Bicycle Thief.”

 
W120

Joseph L. Mankiewicz

“I am never quite sure whether I am one of the cinema's elder statesman or just the oldest whore on the beat.”

 
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Otto Preminger

[Giving direction to a group of children on Exodus (1960)] "Cry, you little monsters!"

 
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Olivier Assayas

“With Irma Vep, all of a sudden I decided that it was okay to mix genre, to mix cultures, and that movies sometimes could be experiments, that within the format of modern cinema, within the format of narrative, you could experiment by mixing elements.”

 
W120

Fritz Lang

“I should say that I was a visual person. I experience with my eyes and never, or rarely, with my ears...to my constant regret.”

 
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Joel Coen

“The characters are the result of two things-first, we elaborate them into fairly well-defined people through their dialogue, then they happen all over again, when the actor interprets them. ”

 
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Ethan Coen

“We create monsters and then we can't control them. ”

 
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Elia Kazan

“I like directors who come on the set and create something that’s a little dangerous, difficult or unusual.”

 
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François Ozon

“I think cinema has to deal with desire. In the cinema, you are with a big screen, it is dark, and you watch some images, like a fantasy, so I think it is important for you to feel desire for what you see.”

 
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Jules Dassin

“If there is anything I want to be remembered for, it is for fulfilling Melina's dream [the return of the Elgin Marbles to Greece].”

 
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Gene Kelly

“I wanted to invent some kind of American dance that was danced to the music that I grew up on: Cole Porter and Rodgers and Hart and Irving Berlin. So I evolved a style that certainly didn’t catch on right away.”

 
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Mike Leigh

“The whole thing about making films in an organic film location is that it's not all about characters, relationships and themes, it's also about place and the poetry of place. It's about the spirit of what you find, the accidents of what you stumble across”

 
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Charlie Chaplin

“Life is a tragedy when seen in close-up, but a comedy in long-shot.”

 
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Darren Aronofsky

“To me, watching a movie is like going to an amusement park. My worst fear is making a film that people don't think is a good ride.”

 
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Vincente Minnelli

“I allow an area for improvisation because the chemical things actors bring to stories make it not work. ”

 
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Michael Winterbottom

“Each scene should feel right, should be true at that moment, and gradually you accumulate these moments of truth until you get enough of them together that it becomes a story that’s interesting.”

 
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Ernst Lubitsch

“There are a thousand ways to point a camera, but really only one.”

 
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Terrence Malick

“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”

 
W120

King Vidor

“My luck was my father not striking oil... we'd have been rich. I'd never have set out for Hollywood with my camera, and I'd have had a lot less interesting life.”