“I was not a technical person - I was never a technical person. I have always liked the more artistic side of things and I did get a lot of inspiration and knowledge from studying painting - that was very important.”
“The principle factor in my success has been an absolute desire to draw constantly. I never decided to be an artist. Simply, I couldn’t stop myself from drawing. I drew for my own pleasure. I never wanted to know whether or not someone liked my drawings. I have never kept one of my drawings. I drew on walls, the school blackboard, odd bits of paper, the walls of barns.”
“[On Badlands (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.”
“Surrealism had taught me that reason comes after creation, and creation is a true deflagration when confronted, not with a solution, but an obstacle.”
“My only advice is to spend less time on thinking about success and put all the energy in making art itself. Otherwise your relationship to your art changes. It becomes less genuine and honest. Art should not be born from a pressure of becoming successful but something deeper. This is always a danger and the cause for mediocrity in art.”
“Nothing in the world can be compared to the human face. There is no greater experience in a studio than to witness the expression of a sensitive face under the mysterious power of inspiration. To see it animated from inside, and turning into poetry.”
“Our battle, our struggle, is to create art. Our weapon is the moving picture...we are scientists engaged in the creation of memory... but our memory will neither blur nor fade.”
“It is my duty to direct because the films might be the inner chronicle of what we are, and we have to articulate ourselves. Otherwise we would be cows in the field.”
“French production is not definitively outclassed by the Americans and that we are not henceforward going to be reduced always to be following in others’ footsteps.”
“Juxtaposing a person with an environment that is boundless, collating him with a countless number of people passing by close to him and far away, relating a person to the whole world, that is the meaning of cinema.”