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ALIN's Favorite Auteurs

Displaying auteurs 1 - 20 of 94 in total
W120

Takeshi Kitano

“Sword fighting in film is not about how good the fighter is, but how good the actor receiving the blows is.”

 
W120

Aki Kaurismäki

“Cinema is dead. It died 1962, I think it was in October!”

 
W120

Nuri Bilge Ceylan

“In my films the landscapes connect the characters to a sense of something cosmic. I try to recapture those moments in life where you suddenly feel that connection to a wider universe.”

 
W120

Alberto Sordi

“My humor has never been abstract or gratuitous. I’ve always modeled on the reality of the moment.”

 
W120

Majid Majidi

“The government has a monopoly on film stock and equipment, so every filmmaker has to go to them to rent these items. The government issues screening permits for the films, which means they can ban a film or demand changes in it. They also rate them on artistic and cultural merits. They reward A-grade films with rights to advertise on the government controlled media and screenings at the best theaters while C-grade filmmakers can be kept from making films for a year.”

 
W120

Kenji Mizoguchi

“You must put the odor of the human body into images...describe for me the implacable, the egoistic, the sensual, the cruel...there are nothing but disgusting people in this world.”

 
W120

Jiří Menzel

“With his debut feature film Closely Watched Trains (1966), Czechoslovakian filmmaker Jirí Menzel became an important member in Czech New Wave cinema and won an Academy Award.”

 
W120

Lucian Pintilie

“What is the survival strategy of a community in a state of perpetual catastrophe?...And when does making fun—the assumed irresponsibility, the dark humor that we, Romanians, are so proud of—stop being an impenetrable shield? This is the number one matter in all my movies.”

 
W120

Larisa Shepitko

“Any interference by society in an adult’s personal life will be extremely dangerous until society itself becomes ideal. But in the ideal society interference in personal life will obviously be unnecessary.”

 
W120

Ermanno Olmi

“...our wars of machines and technology make 'progress' ever more impersonal and deadly - a 'progress' that has not guaranteed man's human, moral, and civil growth.”

 
W120

John Hughes

“I was obsessed with romance. When I was in high school, I saw Doctor Zhivago every day from the day it opened until the day it left the theater.”

 
W120

Takashi Miike

“I don't think about the audience, I don't think about what makes them happy, because there's no way for me to know. They think of the audience as a mass, but in fact every person in the audience is different. So entertainment for everyone doesn't exist.”

 
W120

Yasujirô Ozu

“I formulated my own directing style in my own head, proceeding without any unnecessary imitation of others… For me there was no such thing as a teacher. I have relied entirely on my own strength.”

 
W120

Marco Bellocchio

“For me a film grows from an image.”

 
W120

Todd Solondz

“Some people will of course accuse me of misanthropy and cynicism. I can’t celebrate humanity but I’m not out to indict it either. I just want to expose certain truths.”

 
W120

Vittorio De Sica

“I've lost all my money on these films. They are not commercial. But I'm glad to lose it this way. To have for a souvenir of my life pictures like Umberto D. and The Bicycle Thief.”

 
W120

Park Chan-wook

“The audience seems hazy to me, shrouded in a veil through which I can't see.”

 
W120

Hayao Miyazaki

“Modern life is so thin and shallow and fake. I look forward to when developers go bankrupt, Japan gets poorer and wild grasses take over.”