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Erik's Favorite Auteurs

Displaying auteurs 1 - 20 of 57 in total
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Emir Kusturica

“What you have now is a Hollywood that is pure poison. Hollywood was a central place in the history of art in the 20th century: it was human idealism preserved. And then, like any great place, it collapsed, and it collapsed into the most awful machinery in…”

 
W120

Ti West

“The independent world and the studio world are very different. The independent world is about, "Let's get this movie made because it's going to be awesome and we believe in it," and the studio world is about slow business decisions.”

 
W120

Andrei Zvyagintsev

“As an art-house director I am supposed to hate mainstream films but I saw Peter Jackson's King Kong and liked it. I even cried when I was watching it although in my opinion this film has no artistic value at all.”

 
W120

Andrei Tarkovsky

“Juxtaposing a person with an environment that is boundless, collating him with a countless number of people passing by close to him and far away, relating a person to the whole world, that is the meaning of cinema.”

 
W120

Ingmar Bergman

“Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.”

 
W120

Cary Fukunaga

“Definitely faces are important to me. One of my problems with a lot of things I watch is that everybody’s too pretty and it takes me out of the film because I’m thinking that all these people look like I’ve seen them in a café in Los Angeles.”

 
W120

Sam Raimi

“I look at myself as an entertainer, more than anything else. I wanted to make the movie a little more different than the previous films… That was less about me growing as a craftsman. That was more about me trying to provide an element to the audience that I thought they might need something different, that came from a different place.”

 
W120

Peter Jackson

“I don't quite know what an auteur is. I've never quite understood that term, because filmmaking is such a huge team effort.”

 
W120

Neill Blomkamp

“Once the budgets get bigger, you can’t do what you want as a director, unless you’re Peter Jackson or James Cameron.”

 
W120

Rian Johnson

“Dialogue is something I really enjoy; in some ways I feel like I enjoy it too much and that's one thing I've been trying to work on as a writer, not saying everything with dialogue and trying to pull back on it.”

 
W120

Akira Kurosawa

“Movie directors, or should I say people who create things, are very greedy and they can never be satisfied...that's why they can keep on working. I've been able to work for so long because I think next time, I'll make something good.”

 
W120

Tomas Alfredson

“The soundscape is fifty percent of the experience. Any kid can nowadays easily point out where and how you’ve made certain visual effects, but very rarely what they’ve experienced with their ears. This is still an enormous orchestra to conduct, which is in the dark for the audience.”

 
W120

Susanne Bier

“I use it [hand-held-camera] in order to enable actors to move around freely because I want them to be truthful at all times and that means they should be able to move and not be bound by a fixed camera position. I think if it's used for style it's a mistake. It's there to do something very specific.”

 
W120

Lynne Ramsay

“I've found that film-making's not just a job, it becomes part of your whole life.”

 
W120

Werner Herzog

“It is my duty to direct because the films might be the inner chronicle of what we are, and we have to articulate ourselves. Otherwise we would be cows in the field.”

 
W120

Ramin Bahrani

“Film is really 24 frames a second in the present, and I realize when you leave certain gaps, it allows space for the viewer to enter the film.”

 
W120

Kim Ki-duk

“I always ask myself one question: what is human? What does it mean to be human? Maybe people will consider my new films brutal again. But this violence is just a reflection of what they really are, of what is in each one of us to certain degree.”

 
W120

Danny Boyle

“There's a certain truth that you do end up making the same film again and again so if you vary the genre you have a chance of breaking that cycle.”