I keep thinking about this and I want everyone to see it
Really beautiful. So fantastically '80s with all of those primary colors. Juliette Binoche, although beautiful, was a little grating, I can't really put my finger on it, something about her general character in this. The movie was just fantastic, I loved it, and young Denis Lavant is très cool. That "Modern Love" scene (I see u, Frances Ha) was so so so good.
CORNY AS FUCK. That last scene was so laughably dramatic. Like, Planet of the Apes dramatic. And that's a movie about astronauts I would have rather watched.
The first 25 minutes or so were slooow and terribly acted, but once the action starts up it was really fun. Such a fantastic idea and I appreciated a (spoiler!) female lead who kicking ass intelligently in a slasher situation. Sooo refreshing.
Pretty bad but I can't say I didn't start crying during Paul Rudd's dirty talk scene.
I really enjoyed this. A true old-school scare, reminiscent of Amityville Horror. It takes its time too, in terms of building up it's scares, and doesn't just rely on textbook tricks. And, the movie packs in A LOT too: demons, murder, ghosts, a witch narrative, all without feeling disconnected and contrived. Though, the film does have it's campy moments, but I loved it, especially that Anabelle doll ;)
Liked the first two segments but was pretty disappointed in the last two.
I think Whedon did an excellent job at modernizing Shakespeare without stripping it entirely of it's more antiquated humor, which is either played completely by the book in adaptations or revamped entirely in favorable of something more modern. There were all the physical, goofy moments mingled with some more dry choices. Fillion as Dogberry was the funniest part of the movie. So hilarious!
If you're a fan of this Stoner Brat Pack 2.0 you're bound to love it. I don't think I ever stopped laughing, it's so good. I personally appreciated Rogen and Goldberg ragging on Franco's art career sooo hard (those Freaks and Geeks paintings were amazing?) Also: "You've built a house with iPads in the wall but you're still jerking off like a fucking Pilgrim" ha ha ha haaa <3
I like intelligent movies about teenagers that take teens seriously, and they are rare, but this is one of them. John Hughes comparions are coming up because this is actually sincere. This film is sort of being packaged as a romance BUT, it really isn't! It's a coming-of-age story about Teller's character. He commands the film; Woodley's character is just a small part of this movie. Also: THAT sex scene! (Awww)
It's not the movie I think most people were expecting, but I think it's a perfect bookend. The chemistry between Delphy and Hawke is what made this series so captivating and that isn't lost in this movie, it's just in a different tone. It may have been a liiiittle too dark in terms of the severity of their problems, which leads me to believe that nothing will change, but I liked this within the context of the series.
Amazing, amazing, amazing, amazing. "DON'T TREAT ME LIKE YOUR THREE HOUR BRUNCH FRIEND!"
Very cute movie. Beautifully art-directed. If ya don't like "quirky" films you won't like this but I thought it was really funny and great.
Charming movie but what a weirdly abrupt ending? I've never had that experience before of seeing a movie and wanting it to have maybe just a few more minutes of a storyline in the end? It seemed as if there was an ending that was cut off, or something.
This was actually too, stupidly gory for me and I'm someone who loves revolting horror (tree rape and all.) This may as well be another Saw movie. No funny, campy charm. Bad bad bad.
The theories are quite far-fetched, but that's part of the fun! You have to go into this with a very open-mind. I think of it more as a statement on The Shining's mysterious legacy rather than a straight telling of these theories as if people believe them to be true. These people do NOT believe these theories to be true; they are interpretations. I thought it was fascinating and very funny!
I thought it was going to be smarter, if that makes any sense? I just think with all the gross pervy stuff (and boy, was it pervy) he needed to balance it out or completely subvert that with a super radical ending or twist of events for the female characters. That happens in the scene where the girls turn the gun on Franco, but I wanted Korine to really push that. The laughable shoot up in the end was just stupid.
AAAAAAAAAAAAAAHHHHHHHHHHHHH. That last scene...
Should never have revealed the caller so early. Not sure why everyone's acting like the "based on a true story" title cheapens the movie because very little of this is dramatized? Loved that long take with the cop in the car to emphasize the distance between the police station and the restaurant. I thought this was really good.