“He knows how to create a strange world, whose elements are borrowed from daily life...His characters emerge like his own children, created from fragments of his own heart and mind.”
“Surrealism had taught me that reason comes after creation, and creation is a true deflagration when confronted, not with a solution, but an obstacle.”
“You know, people always think if you start out as a film editor, you shoot less footage. Actually, just the opposite is true. I tend to grab as much coverage as I can because as a former editor I know how important it is to have those few frames. ”
“There’s invention every day. Every day it’s like a feast. It’s very grueling, it’s very demanding. Puppets seem like vampires sometimes. They live, and you’re depleted.”
“Horror is the future. And you cannot be afraid. You must push everything to the absolute limit or else life will be boring. People will be boring. Horror is like a serpent; always shedding its skin, always changing. And it will always come back. It can't be hidden away like the guilty secrets we try to keep in our subconscious.”
“Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?”
“I love when people laugh. I love when they cry, I like a story to say something, and I hope the audience feels happier leaving the theater than when it came in.”
“It isn't easy to accept that suffering can also be beautiful...it's difficult. It's something you can only understand if you dig deeply into yourself.”
[On one of his most famous characters] "The coyote is victimized by his own ineptitude. I never understood how to use tools and that's really the coyote's problem."