“I've spent a fair amount of time thinking about what my aptitude is, and I really think it's to explore and push the medium. It's not about breaking gender roles or genre traditions.”
“I was raised a Catholic and when you're raised a Catholic they don't teach you to think for yourself...you're taught not to think too deeply about things.”
“I think that film is a poor medium for getting information across, for making arguments. What film is so good at is giving people an experience, an emotional, gripping experience.”
“Perhaps it makes sense that a woman whose earliest memory was on the set of Apocalypse Now would grow up to direct a dark fable about five adolescent girls who unapologetically and unceremoniously kill themselves...”
“I'm in a unique situation. I'm like now an elderly retired guy who made a lot of money, and now I can just, instead of playing golf, I can make art films.”
“It’s fun to be on the edge. I think you do your best work when you take chances, when you’re not safe, when you’re not in the middle of the road, at least for me, anyway.”
“I wanted to make a fake Paris, a Paris of dreams, like in my head when I was twenty and I arrived in Paris for the first time. I wanted to avoid the bad things: traffic jams, dog shit on the street, the rain.”
“Comedy is a dangerous business. If people find something funny you’re okay. But the moment you do something that’s meant to be funny and someone doesn’t find it funny, they become angry. It’s almost as if they resent the fact that you tried to make them laugh and failed.”