“In real life, there’s no stories. Everything is unending, confusing. Nothing starts and concludes. There’s no beginning, middle and end in the actual experience of our lives, and we want this kind of neat little package, and we make them for ourselves in our stories.”
“Documentary can requote reality I think more honestly and authentically, when done properly, than any other medium. If it is practiced properly, then it is more like photography than cinematography.”
“...my work has a coherence within its incoherence because I've decided to work with elements that I know to the core, to work with characters and settings I've lived with.”
“I was always kind of fascinated with these little, no-budget films, Christian films, and little morality plays, and how some of them are so horrific and graphic with their little, cheap sets, but have the ambition to tell these big tales with no budget.”
“Hollywood is very tempting. It's tempting in the sense that you can be meeting interesting persons all the time. Living in Mexico allows me to be more down to earth, to see regular people, life itself bubbling.”
“I think that life is memory, everything is memory. There is no present time and everything in life is remembering. I think memory encompasses all life, and all the mind.”
“I don’t see cinema in terms of Spanish, French, European or American. I think we should see cinema as a separate continent; the only continent I understand is the continent of cinema.”
“In a perfect world, I would prefer just to draw all day and make these cartoons. But the problem is, if I work for a big studio, then I would lose a lot of my creative ideas.”
“The funnier it is in the beginning of a story, the more dramatic it can become. Because when an audience is laughing, that's opening their souls somehow, and when you have an audience with an open soul, it's much better to hit them with a knife.”
“My mother was friends with famous directors like Dovzhenko and Eisenstein. I remember Eisenstein taking me on to the set of Ivan the Terrible. I must have been about six. Later when I worked with Tarkov-sky, part of what we were doing was fighting Eisenstein, denying him. By then the great influences on us were Kurosawa, Fellini, Bergman.”
“I always start with characters rather than with a plot, which many critics would say is very obvious from the lack of plot in my films - although I think they do have plots - but the plot is not of primary importance to me, the characters are. ”
“If tomorrow I have to quit filmmaking, I will. I’m not going to sell my house for a project, that’s for sure. If I have to go back and work on my family’s farm, fine. I don’t have any problem with it. But I would cry a lot.”